Otto Dix TudioJepegii - a photo on Flickriver

Wilhelm Heinrich Otto Dix

2 December 1891 – 25 July 1969) was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with George Grosz and Max Beckmann, he is widely considered one of the most important artists of the Neue Sachlichkeit.

Early life and education
Otto Dix was born in Untermhaus, Germany, now a part of the city of Gera, Thuringia. The eldest son of Franz Dix, an iron foundry worker, and Louise, a seamstress who had written poetry in her youth, he was exposed to art from an early age.The hours he spent in the studio of his cousin, Fritz Amann, who was a painter, were decisive in forming young Otto's ambition to be an artist; he received additional encouragement from his primary school teacher. Between 1906 and 1910, he served an apprenticeship with painter Carl Senff, and began painting his first landscapes. In 1910, he entered the Kunstgewerbeschule in Dresden, now the Dresden Academy of Fine Arts, where Richard Guhr was among his teachers. At that time the school was not a school for the fine arts but rather an academy that concentrated on applied arts and crafts.

The majority of Dix's early works concentrated on landscapes and portraits which were done in a stylized realism that later shifted to expressionism.

At the end of 1918 Dix returned to Gera, but the next year he moved to Dresden, where he studied at the Hochschule für Bildende Künste. He became a founder of the Dresden Secession group in 1919, during a period when his work was passing through an expressionist phase. In 1920, he met George Grosz and, influenced by Dada, began incorporating collage elements into his works, some of which he exhibited in the first Dada Fair in Berlin. He also participated in the German Expressionists exhibition in Darmstadt that year.

He met metalsmith Martha Koch in 1921, and they married in 1923. They had three children together. She was a frequent subject of his portraits.

In 1924, he joined the Berlin Secession; by this time he was developing an increasingly realistic style of painting that used thin glazes of oil paint over a tempera underpainting, in the manner of the old masters. His 1923 painting The Trench, which depicted dismembered and decomposed bodies of soldiers after a battle, caused such a furor that the Wallraf-Richartz Museum hid the painting behind a curtain. In 1925 the then-mayor of Cologne, Konrad Adenauer, canceled the purchase of the painting and forced the director of the museum to resign.

Dix was a contributor to the Neue Sachlichkeit exhibition in Mannheim in 1925, which featured works by George Grosz, Max Beckmann, Heinrich Maria Davringhausen, Karl Hubbuch, Rudolf Schlichter, Georg Scholz and many others. Dix's work, like that of Grosz—his friend and fellow veteran—was extremely critical of contemporary German society and often dwelled on the act of Lustmord, or sexualized murder. He drew attention to the bleaker side of life, unsparingly depicting prostitution, violence, old age, and death.

In one of his few statements, published in 1927, Dix declared, "The object is primary and the form is shaped by the object."

Among his most famous paintings are Sailor and Girl (1925), used as the cover of Philip Roth's 1995 novel Sabbath's Theater, the triptych Metropolis (1928), a scornful portrayal of depraved actions of Germany's Weimar Republic, where nonstop revelry was a way to deal with the wartime defeat and financial catastrophe, and the startling Portrait of the Journalist Sylvia von Harden (1926). His depictions of legless and disfigured veterans—a common sight on Berlin's streets in the 1920s—unveil the ugly side of war and illustrate their forgotten status within contemporary German society, a concept also developed in Erich Maria Remarque's All Quiet on the Western Front.

Although frequently recognized as a painter, Dix drew self-portraits and portraits of others using the medium of silverpoint on prepared paper. "Old Woman," drawn in 1932, was exhibited with old-master drawings.

World War II and the Nazis
When the Nazis came to power in Germany, they regarded Dix as a degenerate artist and had him sacked from his post as an art teacher at the Dresden Academy. He later moved to Lake Constance in the southwest of Germany. Dix's paintings The Trench and War Cripples were exhibited in the state-sponsored Munich 1937 exhibition of degenerate art, Entartete Kunst. War Cripples was later burned. The Trench was long thought to have been destroyed too, but there are indications the work survived until at least 1940. Its later whereabouts are unknown; it may have been looted during the confusion at the end of the war. It has been called 'perhaps the most famous picture in post-war Europe ... a masterpiece of unspeakable horror.

Dix, like all other practising artists, was forced to join the Nazi government's Reich Chamber of Fine Arts (Reichskammer der bildenden Kuenste), a subdivision of Goebbels' Cultural Ministry (Reichskulturkammer). Membership was mandatory for all artists in the Reich. Dix had to promise to paint only inoffensive landscapes. He still painted an occasional allegorical painting that criticized Nazi ideals. His paintings that were considered "degenerate" were discovered among the 1500+ paintings hidden away by the son of Hitler's looted art dealer Hildebrand Gurlitt in 2012.

In 1939 he was arrested on the trumped-up charge of being involved in a plot against Hitler (see Georg Elser), but was later released.

During World War II, Dix was conscripted into the Volkssturm. He was captured by French troops at the end of the war and released in February 1946.

Dix eventually returned to Dresden and remained there until 1966. After the war most of his paintings were religious allegories or depictions of post-war suffering, including his 1948 Ecce homo with self-likeness behind barbed wire. In this period, Dix gained recognition in both parts of the then-divided Germany. In 1959 he was awarded the Grand Merit Cross of the Federal Republic of Germany (Großes Verdienstkreuz) and in 1950, he was unsuccessfully nominated for the National Prize of the GDR. He received the Lichtwark Prize in Hamburg and the Martin Andersen Nexo Art Prize in Dresden to mark his 75th birthday in 1967. Dix was made an honorary citizen of Gera. Also in 1967 he received the Hans Thoma Prize and in 1968 the Rembrandt Prize of the Goethe Foundation in Salzburg.

Dix died on 25 July 1969 after a second stroke in Singen am Hohentwiel. He is buried at Hemmenhofen on Lake Constance.

Dix had three children: a daughter Nelly and two sons, Ursus and Jan.

The Otto-Dix-Haus was opened in 1991, at the 100th anniversary of Dix's birth, in the 18th-century house where he was born and grew up, at Mohrenplatz 4 in the city of Gera, as a museum and art gallery. It is managed by the city administration.

As well as providing access to the rooms Dix lived in, it houses a permanent collection of 400 of his works on paper and paintings. Visitors can see examples of his childhood sketch books, watercolours and drawings from the 1920s and 1930s, and lithographs. The collection also includes 48 postcards he sent from the front during World War I. The gallery also regularly hosts temporary exhibitions.

The building was affected by a flood in June 2013. In order to repair the underlying damage, the museum was closed in January 2016, and re-opened in December 2016 following restoration.

The Museum Haus Dix was inaugurated in 2013 in the house where the artist lived with his family and where he worked from 1936 to 1969, in Hemmenhofen, south Germany

en.wikipedia.org/wiki/Otto_Dix
Born: Mohrenplatz 4, 07548 Gera, Germany, Europe

Orginal photo: Hugo Erfurth (1874–1948), ca. 1929 (CCA) whoswho.de/bio/otto-dix.html

Artwork by TudioJepegii

Taken in: Germany / Thuringia / Kreisfreie Stadt Gera / Osterstein (show map)

Taken on: April 1, 2023

Tags:

Portrait

Photo Manipulation

Artwork

Woodprint

WonderingFlowers

Way of Fragrance

Travel

Tudio

Town

TudioJepegii

Tree

u.ki.jo.e

Ukiyo-e

Up to the next level

Ideology

Ignorance

Old

Outdoor

Plant

Paper

People

Palm

Palmtree

Park

Atmosphere

AlbertosTudio

Aristocratic

announcement

structure

Streetphotography Street

Streets

Botanic

Connectivity

Flower

Flowers

Destination

Surreal

Detail

Default

Definciency

Democratic

Green

Hospitality

Jepegii

Japan

Local

Lumia

Leave

layers

light

Landscape

Zen

Culture

Center

Capital

Cameraphone Nokia Lumia 630 is my Canvas

Vincent van Gogh

Vegitation

Blue

background

Nature

Nokia

New

Municipal park

Municipal

Modern

Mystery

Abstract

Otto Dix « less

Sets appears in: • The Ones Who Mattered

Groups appears in: • Colors of the World • Artistic Photography more » • Color and Colors - No computer-generated posts. • Only in Japan • "Hello Moto" • Painterly (not AI) • Art makes you happy! • Interesting Portraits ☺ [people] • China+ • 3000 Views • COLLAGES • Views: 1000 • Views: 2000 • Japan Through the Eyes of Others • Natural Japan • japan-hopper • Views 3000 • Tributes to the Famous • Flickr Art Directors Club • like a dream • Japan's Four Seasons 四季［春夏秋冬］ • Famous People Pictures • Floating world • FAMOUS CELEBRITIES DEAD OR ALIVE • Art of Nature • B&W Re-Colored - New Contest!! • Fine Art Photography (pls read description) • "Unlimited Photos: No Rules" • Kreative People: Manipulated Photo Art- (Please read rules) • When art speaks to you...ovvero...Quando l'arte ti parla... • ♥ JAPAN ● 日本 ♥ please JOIN us • Portraits with soul • Art Dreamed ¤ No Second Life Images • Creative Digital Art Community - Flickr • The hidden face of the fire ( El rostro oculto del fuego ) « less

Stats: 3,642 views / 2 comments