Industrial Building, Mixed Lighting - a photo on Flickriver

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell - all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. "Normal" photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn't care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Taken on: April 5, 2014

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Camera: Canon EOS 5D Mark II, f/11.0, 83 sec, 42mm, ISO 400 (more info) (hide info)

Camera:	Canon EOS 5D Mark II
Lens:	EF24-70mm f/2.8L II USM
Aperture:	f/11.0
Exposure Time:	83
Focal Length:	42mm
ISO:	400
Exposure Bias:	0 EV
Flash:	Off, Did not fire
Exposure Program:	Bulb
Exposure Mode:	Auto
Metering Mode:	Multi-segment
White Balance:	Auto
Color Space:	sRGB
Software:	Adobe Photoshop CC (Macintosh)
Show full info

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